Biography
Based in New York City and across Asia, Eun Vivian Lee is a contemporary Korean American artist best known for her colorful, bold, and compelling pigment paint dot paintings. Her work contains hundreds of thousands of dots that fill her paper. Her dots are barely half an inch tall and wide. Using pigment paints and a defined grid structure drawn with pencil, Lee displays various emotions and feelings. Lee herself sees the world a chaotic place, finds peace and healing of the mind through the meticulous and repetitive practice of creating dots onto paper. Her search for finding peace is rooted in her desire to both self-improve herself and also improve her interactions with the world. The accumulation of every small dot depicts Lee’s value of appreciating the smaller moments in life. Likewise, her relationship with nature is often an inspiration for her circular structured works, a way of depicting the moon embracing the sun, and its profound influence on individuals. Ultimately, Lee’s approach to her artwork strives to promote hope, love, and peace in humanity. She studied Computer Graphics as an undergraduate from Pratt Institute, Brooklyn New York and has a master’s degree in Interactive Media Telecommunications from the New York University, New York city. She was a programmer for years before becoming a full time artist. You can at times find media/design influences in her work.
Artist Statement
"My creative process revolves around a rigorous and highly disciplined method, including in-depth detail organization and planning. I create various sizes of small droplet-like circles inside hand-drawn grid lined paper that eventually fills my entire canvas. I paint dots on various sizes of paper, each dot confined within a 0.5 inch by 0.5 inch square. By mixing and making my own paint from seashell powders, I’m able to control the exact consistency and color. Each piece of work averages from tens and thousands of dots, at times, hundred thousands and it is crucial to undertake color studies before I start my first dot. Because the aim of my work is to create poetic and subtle visual compositions, I often make countless swatches and variations of each color before embarking on a new piece.
The process is extremely repetitive and time consuming, which is why concentration and focus is needed when I paint small dots over and over. However, this experience is very humbling. The success and achievement felt after finishing a piece comes from finding peace and harmony within these hundreds of thousands of individual dots that form beautiful art. I also believe by repeating the process as my daily ritual helps me to master my artistic skills as a tool to express the emotions I want to explore freely and also this repetitive process is highly calming and meditative. I believe by applying myself to it every day rigorously is the only way to find the answer to my artistic journey. Otherwise, I would not find it.
I have always found myself inspired by my travels and the new people I meet. Experiencing new cultures and locations helps me broaden my artistic perception and understanding of life. I enjoy connecting with different types of people, especially female creative leaders; it's deeply refreshing to understand someone’s journey through their career. Learning about their lives, their creative process, and their motives allows me to better comprehend the meaning of community; thus, I feel that I belong to an emerging society where we can understand each other without the need to define our collective purpose. In turn, my art crafts a community of dots, each individual one supporting each other, whether through designing a gradient or pattern. Just as I am part of a group of artists, especially rising females, I am painting a constellation of dots in order to reinforce this idea of mindfulness. Inviting transformation has been a huge part of my work and I would like to keep seeing my work transform. Although my art is quite disciplined, my dots become more unique when drawn into slightly different shapes and sizes." - Eun Vivian Lee
Exhibitions
Solo
Group
"Sakura Series - February" (2022)
Pigments on paper, 48 x 48 in
"Sakura Series - June-July" (2022)
Pigments on canvas, 48 x 48 in
"Sakura Series - October" (2022)
Pigments on paper, 48 x 48 in
"Diary of 2020"
Pencil, pigments on paper, 10 x 408 in
Photo credits: Art Science Museum, Singapore